Cambodian culture apsaras represent an important motif in the stone bas-reliefs of the angkorian temples in cambodia (8thâ€“13th centuries ad), however all female images are not considered to be apsaras. Nymph and sage engaged in sex for some time, during which viswamitra s asceticism was put on hold. Deciding that the sage would have to be distracted from his penances, he sent the apsara menaka to work her charms. And possessing slim waists and fair large hips, they began to perform various evolutions, shaking their deep bosoms, and casting their glances around, and exhibiting other attractive attitudes capable of stealing the hearts and resolutions and minds of the spectators. In 1927, sappho marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which marchal concluded were based on actual practices of the angkor period cambodian dating rituals. Possessed of magical power or fairy according to monier-williams dictionary. One story embodying this theme is that recounted by the epic heroine shakuntala to explain her own parentage. In prambanan temple compound, especially in vishnu temple, along the gallery, some images of male devata are found flanked by two apsaras. The apsara celestial maidens might be found as decorative motifs or also as integral parts of a story in bas-relief. In malay/indonesian, apsaras are also known as bidadari , being conflated with the vidyadharis , the females of the vidyÃ„Âdharas, another class of celestial beings in indian mythology. In many of the stories related in the mahabharata, apsaras appear in important supporting roles.
 angkor wat architects employed small apsara images (30â€“40 cm as seen at left) as decorative motifs on pillars and walls cambodian dating rituals. Apsaras on hindu temple at banares, 1913 the mahabharata documents the exploits of individual apsaras, such as tilottama, who rescued the world from the rampaging asura brothers sunda and upasunda, and urvashi, who attempted to seduce the hero arjuna. That daughter was shakuntala herself, the narrator of the story. They dance to the music made by the gandharvas, usually in the palaces of the gods, entertain and sometimes seduce gods and men.  apsaras are sometimes compared to the muses of ancient greece, with each of the 26 apsaras at indra s court representing a distinct aspect of the performing arts. The epic contains several lists of the principal apsaras, which lists are not always identical. Later in the javanese tradition the apsara was also called hapsari, also known as idhyadhari,  (the same form of the word is now present in the malay language, as well). â€œthe devatas seem to epitomize all the elements of a refined elegance,â€ wrote marchal. Visual arts a male devata flanked by two apsaras, vishnu temple, prambanan, java. The nominative singular ramas/ramah (the deity ram in hindi), whose stem form is rama. They are well known for their special task: being sent to earth by indra to seduce ascetics who by their severe practices may become more powerful than the gods.